Acclaimed Kenyan gospel artist Ben Githae has announced his departure from political music, marking a significant turning point in his career. In a recent interview, the singer publicly declared that he will no longer associate his music with political campaigns, citing personal conviction and public feedback as motivating factors.
Githae, best known for the 2017 political anthem “Tano Tena”, has long been a figure straddling the line between faith and politics. The song, which became the signature tune for the Jubilee Party’s re-election campaign, brought him both nationwide fame and widespread criticism.
Githae’s involvement in the 2017 elections through his song “Tano Tena” had a profound impact on Kenyan political discourse. The track, which praised the achievements of the Jubilee administration, was widely played at rallies and became an unofficial anthem of the campaign.
While the song’s popularity soared during the election period, public sentiment changed sharply in the aftermath. As disillusionment with political leadership grew, Githae found himself at the center of criticism from voters who felt misled.
In the recent interview, Githae spoke candidly about the challenges he faced post-election. From online backlash to strained relationships with his fan base, the musician described the personal toll of being associated with political agendas.
Githae emphasized that his decision to withdraw from political music is final. He stated his intention to rededicate his efforts to producing faith-based content and reconnecting with his spiritual roots.
The singer’s declaration has sparked mixed reactions across the music and political spheres. While some Kenyans continue to hold him responsible for past political endorsements, many others have commended his transparency and courage.
Social media users have been quick to weigh in, with many praising Githae’s shift in focus as a sign of artistic maturity and accountability. Industry peers have also responded positively, noting the importance of clarity and independence in musical expression.
Githae’s decision may signal a broader shift in how artists engage with politics in Kenya. Historically, musicians have played a significant role in political mobilization. However, the growing scrutiny and polarization within the political space have made such engagements increasingly controversial.
His exit from the political scene may prompt a wider conversation about the role of artists in civic discourse and the ethical considerations of political endorsements through art.
Looking ahead, Githae affirmed his commitment to gospel music and hinted at upcoming projects focused on faith, healing, and national unity. He expressed a desire to use his platform to inspire and uplift rather than divide.
